Artemisia Gentileschi's Self Portrait as a Lute Player (around 1615-18) © Wadsworth Atheneum Museum of Art
For Londons National Gallery, the opening of its long-awaited Artemisia Gentileschi exhibition in the face of Covid-19 represents a tribute to the artists own indomitable spirit. Speaking in an online press conference today, the galleys director, Gabriele Finaldi, said he hopes her example of conquering challenges will serve as an inspiration in tough times.
Artemisia, which opens on 3 October and runs until 24 January 2021, is the gallerys first major show dedicated to a female artist in its 196-year history. It was originally planned for April and had to be postponed when the pandemic struck. Rescheduling involved delicate negotiations with lenders but Artemisias life story is “about overcoming difficult situations through sheer willpower and talent… and I think theres some element of that in the way we worked on the exhibition”, Finaldi said. “I hope people will come and see the exhibition and use it as an opportunity to sense that we can get through the Covid crisis.”
Gentileschi (1593-1654 or later) was born in Rome, the daughter of Orazio Gentileschi, court artist of Charles I. Orazio trained her, but as a young woman she was raped by a fellow painter and then had to endure a horrific trial in which she was tortured to prove she was telling the truth. After her assailant was convicted, she moved to Florence and embarked on an unhappy marriage.
Artemisia Gentileschi's Judith beheading Holofernes (around 1612-13), one of two versions in the National Gallery exhibition photo: Luciano Romano; © Museo e Real Bosco di Capodimonte
However, Artemisia managed to establish herself as the most successful female artist of her time, says the exhibitions curator, Letizia Treves, as well as becoming the breadwinner in her family and finding happiness with a lover, Francesco Maria Maringhi. A collection of letters between them was discovered in Florence in 2011 and will be on display at the National Gallery, the first time they are travelling outside Italy. “Its a very intimate correspondence,” Treves said. “In one letter, she asks Maringhi not to masturRead More – Source