Carl Spitzweg, Justitia (1857) © Neumeister/Christian Mitko
A painting by Carl Spitzweg that was sold under duress in the Nazi era and hung for decades in the German presidents villa is the highlight of a sale later today at the Munich auction house Neumeister, the first art auction with a live audience after the coronavirus lockdown in Germany.
The company sought permission from the city of Munich to hold the auction, and received a green light on 4 May, provided the sale complies with social distancing rules for retailers that limit openings to shops less than 800 sq. m in size and restrict the number of customers at one time.
A maximum of 20 people will be able to participate, Neumeister says. Those wishing to attend were requested to register online in advance. Anyone who prefers not to attend in person can follow the auction live online.
“After almost two months, it is now time to inject some impetus back into the art market,” says Katrin Stoll, the chief executive of Neumeister.
Neumeisters star lot is Spitzwegs 1857 Justitia, or The Eye of the Law. It is estimated to fetch between €500,000 and €700,000 at the Munich auction house, which holds the record of €1.2m for a painting by the artist.
Justitia shows a stone sculpture of the figure of justice watched, surreptitiously, by a policeman. On close inspection, it becomes clear that the sculpture is severely damaged with a big crack in the stonework above her ankles. Her scales are broken, and the blindfold symbolising impartiality has ridden up above her eyes. The work, designed to foil the censors, was a political criticism of the German justice system in the post-revolutionary era.
The painting belonged to the Jewish tobacco merchant Leo Bendel, a Pole who lived in Berlin. He sold two works by Spitzweg at Galerie Heinemann in 1937, when he fled to Vienna. He was arrested by the Gestapo in 1939 and deported to Buchenwald where he died six months later, at the age of 71.
Justitia was purchased for Adolf Hitlers planned Führermuseum in Linz by the Munich dealer Maria Almas Dietrich. After the war, it wound up in the Central Collecting Point for art managed by American troops in Munich. Its original owner could notRead More – Source