Two trunkloads of fake Iraqi antiquities seized by UK customs

A selection of fake figurines seized by British customs © Trustees of the British Museum 2020

UK customs officials have impounded two trunkloads of forged Iraqi antiquities. Numbering 190 items, they represent a wide variety of objects, including clay tablets, figurines, cylinder seals and animal-shaped pots.

British Museum curator St John Simpson believes the consignment was probably intended for an individual collector in the UK, rather than for dispersal via the internet. He says that the international market is now “absolutely awash” with forgeries of differing qualities and there are “far more fakes than genuine Middle Eastern antiquities on sale”.

The metal trunks, dispatched from Bahrain, were opened at Heathrow airport on 1 July 2019 after they caught the eye of an inquisitive Border Force officer. Originally suspected of being looted antiquities, they were handed over to the British Museum for examination.

The haul included cushion-shaped tablets to be held in the hand © Trustees of the British Museum 2020

Museum curators quickly became suspicious because the cuneiform tables appeared to represent a virtually complete range of types from ancient Mesopotamia. The haul included cushion-shaped tablets to be held in the hand, cylinders designed for burial as building inscriptions, administrative records and a royal text referring to the Assyrian king Adadnirari. A British Museum spokeswoman said that it was “as if the whole genre of ancient Mesopotamian writing was represented in one shipment”.

Closer examination revealed that most of the inscriptions were a jumble of cuneiform signs, some invented, others upside-down and many a complete mish-mash. The clay was all of a similar type, which would be impossible for such a wide range of genuine inscriptions from different sites. If original, the objects would have been dried in the sun, but those from the two trunks had been fired at high temperatures, proving that they were the product of a modern workshop with a kiln. The thicknesses of the tablets do not match those of originals, a common error of a forger working from photographs.

Examples of the fake cuneiform tablets in their wrapping © Trustees of the British Museum 2020 Read More – Source