Yuz Museum and Lacma confident they can show Middle Eastern art in China—despite crackdown on Islam

The Yuz Museum and Los Angeles County Museum signed a co-operation agreement with Qatar Museums in Shanghai last month. From left to right: Michael Govan, Lacma's chief executive and director; Aisha Al-Khater, director of Strategic Museum Relations for Qatar Museums; Budi Tek and Michelle Tek, co-founders of the Yuz Museum in Shanghai © Yuz Museum

Shanghais Yuz Museum and the Los Angeles County Museum of Art (Lacma) are not letting legalities or politics slow their ambitious partnership, with a joint exhibition series and a new collaboration with Qatar Museums kicking off last month. Although plans to establish a joint foundation that will preserve Yuz founder Budi Teks extensive collection of Chinese contemporary art in Shanghai are not yet finalised, Lacmas chief executive and director Michael Govan anticipates that “by next year, [the foundation] should be fully operational.”

Tek says that the months of political turmoil in Hong Kong have had no impact on the progress of the joint venture, or on Yuzs existing foundation, which is based in the Special Administrative Region. “I do not consider that to be a problem at all,” Tek says. “It is never in my mind that whatever happens in Hong Kong will affect our programme, or our [future] achievements.”

Qatar Museums involvement will focus on exhibitions and not extend to the foundation. Middle Eastern and Islamic art is rarely shown in mainland China: the Solomon R. Guggenheim Museums touring exhibition of Middle Eastern contemporary art But a Storm Is Blowing From Paradise was abruptly cancelled a month before it was due to open at Shanghais Rockbund Art Museum in 2017, and the Yinchuan Art Museums previous mission to bring Islamic art to China has been quietly terminated. A film by US-based Emirati artist Farah Al Qasimi, with secular content but strong Gulf cultural context, is notable for its inclusion in the show D.E.E.P (Disaster of Extra Epic Proportions) (until 13 December) at the Chi K11 Art Museum in Shanghai.

Leaked Chinese government documents first published by the New York Times in mid-November revealed that the mass detention of Muslims in the northwest region of Xinjiang is part of a national campaign restricting Islam. Tek and Govan, however, do not foresee any troubles in bringing Qatars exhibitions to Shanghai.

“Here it is very open,” Tek says. Although he acknowledges that the Chinese authorities “review and view every programme that we are going to show” at the Yuz Museum, he says this is “not because of religion, or which country [the art] is coming from”, but a way to ensure localRead More – Source